When using a vector icon in After Effects, we have the option to continuously rasterize (by turning on the “collapse transformations” layer option), which will let us resize our icon any way we want, with no loss in quality. (You can always export a larger icon and then scale it down in Premiere Pro with no quality loss.)Įxporting a Vector Icon for After Effects If you scale the icon over 100% in Premiere Pro, it will result in overall quality loss. png file with an alpha channel.) When you save your icon in Adobe Illustrator, you want the resolution high enough to use in your video. (This means the icon will lose its vector quality and act more like a. From there, we will isolate the icon we want to export, and we will change the scale, adjust various colors, then split the icon into multiple layers (if necessary).Īn important aspect of vector icons in Premiere Pro is that they will get rasterized upon import. We’ll start by importing our vector icon set into Adobe Illustrator. However, with just a little work in Adobe Illustrator, we can optimize any vector icon we want for use in Premiere Pro or After Effects. If you’ve ever purchased a set of vector icons to use in a video, you may have quickly realized that just dragging and dropping the vector files into Premiere Pro or After Effects is not the best workflow. Selecting a region changes the language and/or content on this tutorial, we’ll take a look at the workflow to export an icon from Adobe Illustrator for use in Premiere Pro and After Effects. They store additional coding information on color and size to help printers manage the task. So, when it comes to detailed charts, tables, or infographics that might require users to zoom in, they’re the perfect choice.Īs print-oriented files, EPS files do a lot of heavy lifting for billboards and other large-scale print ads. They work best at the size of a computer screen. SVGs are specifically designed for web use, so they aren’t usually ideal for large-scale printing. Because vector files can recalibrate themselves to stay the same at any size, they’re great for images that need to scale up or down. You can use SVG files for some print work, particularly printing for clothing and crafting -but they’re not compatible with enough devices to rely on them for day-to-day tasks.Īs vector files, both EPS and SVGs use a complex network of mathematical algorithms, points, lines, and polygons to display images. This means EPS files are a good option if you’re working with a printing business that uses older equipment, since it may struggle with modern file types. Their backward compatibility means legacy devices can use them, too. ![]() ![]() Though initially designed for PostScript printers, EPS files are compatible with a wide range of devices. Professional printers often use EPS files for large-scale ads and marketing materials. As a result, EPS files are not well-optimized for the web. That means search engines can pick up SVG text, which helps web developers boost their rankings every time they use a new XML image.ĮPS files launched in 1992, back when the digital landscape looked a lot different. The XML programming language that SVG files use stores text information as actual text rather than rendering it through vector-based shapes, dots, and algorithms. ![]() SVG files use both image and text-based data.
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